Kanwara Samranwong

UX Interaction Design

I'm Elle, a design student with a passion for creative problem-solving and crafting experiences that genuinely connect with people. My focus is on building user-centric UX prototypes that blend aesthetics with seamless functionality. For me, great design isn't just about how something looks—it's about how it feels, works, and resonates with users on every level.

Over the past few years, I've worked as a freelance graphic designer, tackling projects in branding, digital media, and immersive storytelling. I love collaborating with clients to turn their ideas into reality, paying attention to even the smallest details to create designs that balance visual appeal with exceptional usability. I’m always eager to challenge myself and see each project as a chance to grow and push my creative limits.

Outside the world of design, I’m a true food enthusiast. Exploring different cuisines and cultures deeply influences how I think and create. Whether it’s a meal from a street market or a fine-dining experience, I find inspiration in the flavors, colors, and stories behind every dish. This love for diverse culinary experiences often shapes my approach to design, helping me create thoughtful, inclusive, and impactful work that celebrates connection and creativity in every form.

Book Market

Book Market is a cutting-edge digital storytelling application and website. Designed to cater to avid book enthusiasts aged 50 to 75. Our platform seamlessly blends the love for reading with modern convenience, offering a diverse range of e-books and fostering vibrant literary discussions.

Abstraction + Colour

Designing for places. Flinders street station and St. Patrick’s Cathedral under the brief Abstraction + Colour.

Good Grocer

Interaction Design for Website and Application GoodGrocer (Shopping Prototype)

State Library Victoria Annual Report 22-23

State Library Victoria Annual Report 22-23 Cultural preservation, learning innovation, accessibility, and community engagement are highlighted in the State Library of Victoria’s annual report. It demonstrates the library’s dedication to ensuring that everyone has equal opportunities, encouraging teamwork, preserving history,
and advancing knowledge through a variety of educational campaigns

Wander Scents

Offers a unique collection of fragrance cards that transport users to different corners of the world. Each card is infused with a carefully crafted scent that captures the essence of the Fiat 500’s charm and adds a touch of sophistication to the fragrance line, each fragrance card also represents a specific travel destination.

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.