Imogen Giorgini

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Hi, I’m Imogen, a Communication Design graduate with a strong interest in brand identity, packaging and print design. I have always been drawn to the small details that make something feel considered, the way colour can shift a mood, how texture can make a design feel more tactile, or how type and layout can completely change the way a story is experienced.

For me, design is about bringing ideas to life in a way that feels clear, thoughtful and memorable. I enjoy working across different formats, from packaging and publications to visual systems and client-based projects, and I love seeing how each piece can come together to create something cohesive. My work often explores bold colour, playful shape, strong composition and a sense of warmth.

I approach each project with curiosity and care. I like to understand the purpose behind a brief, listen closely, ask questions and think about how the final outcome can feel more meaningful. I am especially interested in design that balances personality with clarity, creating work that feels expressive while still being easy to understand.

The pieces in this portfolio reflect the kind of designer I am becoming: detail-driven, thoughtful and excited by the process of making ideas feel tangible. Through each project, I aim to create work that feels visually engaging, purposeful and connected to people.

Shroome Product Packaging

Shroome Product Packaging explores how brand identity can be applied across a cohesive packaging system.
Featuring Pickled Oysters and Forest Umami, the design uses organic shapes, textured labels and vibrant colour to reflect the brand’s connection to mushrooms, nature and local produce.
Created using Adobe Illustrator, Substance 3D Stager and Photoshop.

Flora Forma Artists Festival Publication

Flora Forma Artists Festival Publication explores how a children’s festival workshop can be communicated through a playful publication format.
This page design features Little Nature, encouraging curiosity and discovery within the Royal Botanic Gardens. Through collage, illustration, colour and texture, the design reflects the hands-on nature of collecting natural materials and transforming them into artworks.
Created using Adobe Illustrator, InDesign and Photoshop.

Primo Biscotti Packaging

Primo Biscotti Product Packaging brings a premium Italian biscuit range to life through bold shape, colour and texture.
Designed to reflect the crunch, flavour and playful energy of the product, the packaging balances a fun visual style with a refined, premium finish.
Created using Adobe Illustrator and Photoshop.

Primo Biscotti Tri-Fold Brochure

Primo Biscotti Tri-Fold Brochure is a complementary piece of design collateral created to support the product packaging range.
The brochure expands the brand experience through bold typographic hierarchy, playful composition and product imagery, bringing the biscuit flavours to life with a warm, expressive and premium finish.
Created using Adobe InDesign.

GenAI Tension 6 Tensions Presentation Design

GenAI 6 Tensions Presentation Design was developed collaboratively for client Education Horizons, in partnership with Portable and Griffith University Queensland.
This piece features one of six tension-based presentation designs created for school leaders, using bold geometric forms and colour to encourage discussion, reflection and responsible decision-making around the use of AI in schools.

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.