Jia Jun Hong

Communication Design

JiaJun Hong is a rising star in the realm of business management and multimedia design, recognized for his innovative approach and versatile skill set. With a deep-rooted passion for blending traditional elements with contemporary aesthetics, JiaJun has carved a niche for himself as a dynamic and creative professional. His journey in the world of design began with a profound appreciation for cultural heritage, which gradually evolved into a keen understanding of the intricate nuances of multimedia artistry.

Throughout his career, JiaJun has successfully undertaken an array of projects that reflect his ability to seamlessly fuse diverse styles, showcasing his adaptability and creative finesse. His commitment to excellence is evident in his meticulous attention to detail and his persistent pursuit of design perfection. Whether it's developing immersive gaming experiences or crafting visually engaging marketing materials, JiaJun's work consistently resonates with audiences, capturing the essence of each project's unique vision.

Beyond his professional endeavors, JiaJun remains dedicated to exploring new horizons in multimedia design, constantly pushing the boundaries of innovation while staying true to his roots. As he continues to make his mark in the industry, JiaJun's distinctive blend of traditional sensibilities and contemporary flair sets him apart as a visionary talent with an exciting future ahead.

Tales of the Mooncake Festival

Drawing upon a rich appreciation for traditional cultural celebrations, the 2D platformer game encapsulates the essence of the Chinese Mooncake Festival, offering an interactive experience that resonates with players on multiple levels.

Brochure

The brochure design promoting Susan Kare’s iconic typography skillfully weaves together pixel art elements, paying homage to the author’s influence while showcasing a seamless fusion of modern design techniques with a profound respect for historical contributions in the field.

Rebranding

Successfully rebranded CSC Waste Management to ‘Wastology’, infusing a modern and clear identity into the company’s ethos. Redesigned the logo and tagline, skillfully integrating vibrant colors that align with the company’s core values, thereby revitalizing its brand presence.

Flying Circus

Designed an imaginative paper plane inspired by the vibrant flavors of Sarawak desserts. Incorporated charming vector art and a cheerful color palette to create a visually delightful representation of the region’s culinary heritage, resulting in an engaging and playful design.

Cozy Quarters

Produced a professional and comprehensive business proposal poster for ‘Cozy Quarters’, utilizing minimalist design principles to optimize space while effectively communicating essential information. Employed a strategic layout to ensure the seamless presentation of
key details.

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.