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Communication Design

  • Department view
  • Student folios (A-Z)

Ella Whitehead

Matthew Phillip

Sarah Stansbie

Kimberley Sie Hui Jun

Daniel Mastromihalis

Bianca Gjuric

Anna Afzal-Gould

Shannon Bowkett

Alanis Viera

Ashleigh Squire

Keni Patel

Alessia Zuccala

Sarah Smedley

Rebecca Smith

Lisa Le Nguyen

Pranav Tamang

Kat Kopecka

Ciara Croft

Angela Yong

Erin Frakes

Olivia Hockey

Steffie Eddy

Blue Bateman- Williamson

Jazmyn Maddern-Wellington

Max Whiting

Cameron Laing

Ulya Cheng

Kylie Blumson

Congwen Zhou

Molly Cunnane

Isa Lim

Sasha Kamel

Georgina Favaloro

Vanessa William

Lachlan Webb

Adam Yeo

Ashley Bell

Ashleigh Docking

Cassie Horne

Michelle Millers

Rebecca Mok

Georgia Back

Kirsten Hart

Jesse Greer

Ollie Rae

Stephanie Mahon-Smith

Renee Sim

Magenta Hornsey

Jia Jun Hong

Vivien Nguyen

Megan Baines

Eloise Henderson

Despina Batsakis

Jared Fowler

Tara Knight

Luka Dickson

Chai Jeffery

Maddie Vincent Gilmartin

Lauren Smith

Athanasios Romios

Shelley Virduzzo

Chai Hoong Yong

Joo En Kok

Sophie Sfikas

Toneya Hurst

Tyneesa Grant

Yasmin Li

Jing Wen Ng

Elaine Yi Lian Yeo

Immanuel Martin

Jason Chung

Daniel Farhan Khairul Zamri

Seren Altiparmak

Tien Nguyen

Hui Shan Ho

Rainnie Hsiao

Tom Faska

Christopher Chan

Leilani Krienke

Darren Buma

Shicheng Huo

Chris Sanchez

Jack Milligan

Dora Bebonis

Xin Zi Hoo

Jemma Young

Ashley Ng

Bailey Wentworth

Cailum Choi

Connie Chin

Angelica Matarazzo

Cindy Lo

Grace Ting

Aaron Davis

Cheryl Kau

Wendy Lay

Brandy Lau

William Clark

Venessa Kho

Amelia Bursztynski

Shakira Simmons

Nichanon Thampramual

Lucas Pavlis

Emma Facey

Ruby Bergmeier

Amelia Vu

Ellen Hetrelezis

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.