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Communication Design

  • Department view
  • Student folios (A-Z)

Yasmin Li

Darren Buma

Jing Wen Ng

Ollie Rae

Blue Bateman- Williamson

Hui Shan Ho

Daniel Mastromihalis

Seren Altiparmak

Georgina Favaloro

Venessa Kho

Alanis Viera

Lisa Le Nguyen

Sophie Sfikas

Grace Ting

Chris Sanchez

Bailey Wentworth

Rainnie Hsiao

Matthew Phillip

Toneya Hurst

Joo En Kok

Tyneesa Grant

Bianca Gjuric

Lachlan Webb

Jesse Greer

Kirsten Hart

Daniel Farhan Khairul Zamri

Stephanie Mahon-Smith

William Clark

Xin Zi Hoo

Jared Fowler

Eloise Henderson

Shannon Bowkett

Ashley Bell

Cheryl Kau

Wendy Lay

Amelia Bursztynski

Ulya Cheng

Cailum Choi

Brandy Lau

Pranav Tamang

Sarah Stansbie

Georgia Back

Olivia Hockey

Congwen Zhou

Cameron Laing

Molly Cunnane

Sarah Smedley

Angelica Matarazzo

Nichanon Thampramual

Jack Milligan

Aaron Davis

Steffie Eddy

Kat Kopecka

Elaine Yi Lian Yeo

Jia Jun Hong

Dora Bebonis

Ashleigh Squire

Athanasios Romios

Isa Lim

Ellen Hetrelezis

Rebecca Smith

Erin Frakes

Leilani Krienke

Ruby Bergmeier

Rebecca Mok

Vivien Nguyen

Christopher Chan

Magenta Hornsey

Shelley Virduzzo

Max Whiting

Maddie Vincent Gilmartin

Jason Chung

Connie Chin

Lucas Pavlis

Ella Whitehead

Despina Batsakis

Shicheng Huo

Amelia Vu

Vanessa William

Michelle Millers

Lauren Smith

Sasha Kamel

Immanuel Martin

Tom Faska

Megan Baines

Cindy Lo

Cassie Horne

Chai Jeffery

Alessia Zuccala

Ciara Croft

Tara Knight

Emma Facey

Kimberley Sie Hui Jun

Kylie Blumson

Keni Patel

Shakira Simmons

Anna Afzal-Gould

Jemma Young

Adam Yeo

Ashleigh Docking

Tien Nguyen

Ashley Ng

Chai Hoong Yong

Jazmyn Maddern-Wellington

Angela Yong

Luka Dickson

Renee Sim

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.