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Communication Design

  • Department view
  • Student folios (A-Z)

Erin Frakes

Daniel Mastromihalis

Athanasios Romios

Chai Jeffery

Christopher Chan

Toneya Hurst

Anna Afzal-Gould

Stephanie Mahon-Smith

Ollie Rae

Chai Hoong Yong

Darren Buma

Angela Yong

Magenta Hornsey

Alanis Viera

Kirsten Hart

Jared Fowler

Yasmin Li

Daniel Farhan Khairul Zamri

Georgina Favaloro

Bailey Wentworth

Ella Whitehead

Kylie Blumson

Vanessa William

Jemma Young

Ellen Hetrelezis

Georgia Back

Ashley Ng

Olivia Hockey

Leilani Krienke

Elaine Yi Lian Yeo

Aaron Davis

Adam Yeo

Max Whiting

Xin Zi Hoo

Shicheng Huo

Matthew Phillip

Emma Facey

Steffie Eddy

Dora Bebonis

Jack Milligan

Pranav Tamang

Ruby Bergmeier

Kat Kopecka

Immanuel Martin

Maddie Vincent Gilmartin

Angelica Matarazzo

Jesse Greer

Cailum Choi

Ulya Cheng

Cameron Laing

Renee Sim

Lisa Le Nguyen

Hui Shan Ho

Rebecca Mok

Ashleigh Docking

Luka Dickson

Ashley Bell

Rebecca Smith

Shelley Virduzzo

Nichanon Thampramual

Blue Bateman- Williamson

Sasha Kamel

Wendy Lay

Lucas Pavlis

Lauren Smith

Isa Lim

Connie Chin

Michelle Millers

Tien Nguyen

Jason Chung

Bianca Gjuric

Tom Faska

Joo En Kok

Sophie Sfikas

Molly Cunnane

Eloise Henderson

Shakira Simmons

Tyneesa Grant

Jing Wen Ng

Rainnie Hsiao

Brandy Lau

Megan Baines

Kimberley Sie Hui Jun

Keni Patel

Alessia Zuccala

Congwen Zhou

Amelia Vu

Despina Batsakis

Jia Jun Hong

Tara Knight

Vivien Nguyen

Jazmyn Maddern-Wellington

Cindy Lo

Ciara Croft

William Clark

Seren Altiparmak

Grace Ting

Shannon Bowkett

Sarah Stansbie

Amelia Bursztynski

Chris Sanchez

Lachlan Webb

Venessa Kho

Cassie Horne

Cheryl Kau

Sarah Smedley

Ashleigh Squire

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.