Peter Scoble

As a recent Bachelor of Design graduate specialising in communication design, with experience in branding and visual storytelling, I am a hardworking and driven individual with a strong passion for design, photography, and hands-on creative practice. My approach blends creativity and craftsmanship to create work that connects design with real-world environments, ensuring outcomes feel authentic, purposeful, and grounded in lived experience. I value design that speaks with clarity and intention, while still leaving room for personality, curiosity, and exploration.

My interests in photography, design, and hands-on making have shaped a perspective that is both practical and visually sensitive. I enjoy engaging directly with materials, environments, and people, and I am motivated by projects that allow me to learn, adapt, and problem-solve through experimentation and collaboration. Throughout my academic and personal practice, I have built a foundation in visual identity and photography, supported by a strong eagerness to refine my craft further.

Equipped with raw, untapped potential and a collaborative mindset, I aim to contribute to a team by strengthening its creative output, supporting shared goals, and continually growing as a designer. I bring reliability, curiosity, and a willingness to take initiative, with the drive to develop meaningful design solutions that resonate, communicate clearly, and leave a lasting impact.

Architectural Photography

Commercial photography capturing the architectural character of Levantine Hill Estate. Focusing in on the low horizontal forms that sit into the landscape rather than compete with it.

Major Project Business Rebrand

A new visual identity for a local carpentry business reflecting the connection and precision in the client’s craft. Increasing the appeal to customers through a refreshed and refined visual identity.

Beverage Billboard

Billboard design of an alcoholic beverage brand, with a focus on advertising the refined expression of Bundaberg’s distilling heritage.

The Three Musketeers

A modern reboot of The Three Musketeers as a Berliner styled newspaper. Presenting a bold and cinematic identity that reflect the conflict, loyalty, and tension themes.

Packaging Design Trio

Barrel & Botanica, a concept brand/packaging design for on-the-go cocktails. This offers a perspective of cohesion, freshness, and a sense of crafted simplicity.

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.