Nicholas Aleksander Owczarek

Communication Design

Nick Owczarek is an artist, photographer and recently graduated graphic designer. He holds a Bachelor of Design with a Major in Communication from Swinburne University's School of Design, 2021.

He has worked with a variety of clients. This includes designing album art, vinyls and logo's for Nine2Five Records and their associated musicians, creating the visuals and layout for the cult card game STUCKIN and even designing the graphics for a one of one motorcycle helmet! Nick uses his abstract style that is influenced by period cartoon illustration to showcase his unique, personal style.

Recently Nick has worked on a project with Floating Waratah Australian Botanical Gin, that includes branding, packaging design and art direction for an ad campaign. The project creates a product line that included Blood Lime, Bush Lemon and Mountain Pepper Berry Gin that used both Nick's abstract pattern work and illustration style.

In his own time Nick is currently working on his own freelance work in both fine art and design. He also co-runs his own clothing brand called Taipan Clothing, which has been operating since 2017.

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Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.