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Bachelor of Design (Architecture)

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Janette Tran

Peter Scarmozzino

James Craig

Alexander Fragiacomo

Bella Monk

Lauren Buttigieg

Zac Hoiles

Rebecca Baglow

Blake D'souza

Suprito Saumik

Borint (Bo) Kem

Madison Evans

Khanh Pham

Minh Quan Pham

Lachlan O'Reilly

Katherine Lodkowski

Corey Cvetovac

YUAN XU

Alyssa Dowsett

Nico Andiko

Lucy Curtolo

Brendan Williamson

Senaya de silva

Oscar Jonas

Domenica Monique Espinosa Cruz

Salem Daghagheleh

Billi Malekovic

James Ventura

Heidi Eichler

Amber Hughes

Jonathan Huynh

Yongliang Chen

Sharonne Berenstein

George Tsitsinaris

Tirth Patel

Qintong Wang

Zac Nathan

Alannah Giurdanella

Rafailia Giannaros

Hanyang Cao

Khevin Lee

Joshua Scully

Alyssa Calderone

Corey Sleep

Bailey Cronin

GEORGIA grimaldi

Bachelor of Design (Architecture)

Architects are recombinant sorts: they organise otherwise disparate demands, materials, criteria and systems into cohesive wholes. They envision how dissociative fragments might aggregate into meaningful acts. While it has detrimental side effects — from resource consumption to habitat loss — that must be curtailed for the world to move forward, the act of architecture is innately positive. It is necessarily forward-thinking, imagining a world that offers healthier ways of living and greater ecological balance, and seeks to find the beauty in mutual coexistence.

When I entered the course, I didn’t know anyone else in any of my classes, and over the three years we have built our own little Architecture community where we help each other and learn from a each other and I have really enjoyed that aspect, it’s much how I would imagine it to be like on the field.

Mitchell Brouwer Bachelor of Design (Architecture)  

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
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Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.