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Bachelor of Design (Architecture)

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Heidi Eichler

Brendan Williamson

Salem Daghagheleh

Khanh Pham

Tirth Patel

Amber Hughes

Corey Sleep

Bella Monk

Hanyang Cao

Blake D'souza

Domenica Monique Espinosa Cruz

Madison Evans

Isabella Violaris

Alyssa Dowsett

Suprito Saumik

Janan Al-Musawi

Senaya de silva

Zac Nathan

Zac Hoiles

YUAN XU

Jonathan Huynh

Joshua Scully

Bailey Cronin

Traven Lam

Oscar Jonas

Peter Scarmozzino

Qintong Wang

Geneva Bates

Katherine Lodkowski

Putheary Yoib

Khevin Lee

George Tsitsinaris

James Craig

James Ventura

Minh Quan Pham

Alexander Fragiacomo

Corey Cvetovac

Yongliang Chen

Borint (Bo) Kem

Sharonne Berenstein

Alyssa Calderone

Lucy Curtolo

Lauren Buttigieg

Rebecca Baglow

Sara Abaw

Chloe O'Hara

Simone Cooke

Lachlan O'Reilly

Alannah Giurdanella

Rafailia Giannaros

GEORGIA grimaldi

Janette Tran

Billi Malekovic

Nico Andiko

Bachelor of Design (Architecture)

Architects are recombinant sorts: they organise otherwise disparate demands, materials, criteria and systems into cohesive wholes. They envision how dissociative fragments might aggregate into meaningful acts. While it has detrimental side effects — from resource consumption to habitat loss — that must be curtailed for the world to move forward, the act of architecture is innately positive. It is necessarily forward-thinking, imagining a world that offers healthier ways of living and greater ecological balance, and seeks to find the beauty in mutual coexistence.

When I entered the course, I didn’t know anyone else in any of my classes, and over the three years we have built our own little Architecture community where we help each other and learn from a each other and I have really enjoyed that aspect, it’s much how I would imagine it to be like on the field.

Mitchell Brouwer Bachelor of Design (Architecture)  

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Acknowledgements

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Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.