• Gallery
    • All Disciplines
    • Communication Design
    • Communication Design (Honours)
    • Photomedia
    • UX Interaction Design
    • Motion Design
    • Branded Environments
    • Bachelor of Design (Architecture)
    • Industrial Design
    • Interior Architecture
    • Product Design Engineering
    • Architectural Engineering
    • Master of Architecture & Urban Design
    • Design Strategy & Innovation
    • Master of Design
    • Design Factory Melbourne
    • Postgraduates
  • Awards
  • PodX
  • Sponsors
  • Contact

Gallery

  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020

Communication Design

  • Department view
  • Student folios (A-Z)

Yuhan Zhu

Alex Duong

Lara Selzer

Aulia Anam

Kristina Tsartas

Jessica Nguyen

Ruby Giddings

Millicent Madsen

Katelyn Said

Domenico Adami

Kowchika Vijayakumaran

Sophia Dolferus

Sovannary Sao

Kristi Biezaite

Annabelle Radford

Dinh Ngo

Sophie-Rose Maytom

Jason Chan

Laura King

Caitlin Stanley

Jeylan Mustafa

Zachary Gray

Eve Rampley

Mattea Marnika-Lee

Judith Radas

JIA SUN

Lachlan Banham

Ciara McCabe

Madeleine Webster

Sarah Louey

Matthew Goljanin

Bella MacIsaac

Alice Gallen

Luci Tivendale

Georgia White

Machaya Kurozumi

Fang Guo

Gabrielle Halim

Imogen Baker

Jessica Olivia Hartanto

Mika Wheatley

Hannah Wilson

Edie Romalis

Megan Anstey

Elle Apostolou

Hannah Samaddar

Kate Smedley

Max Lienert

Peiyang Li

Thomas Coghlan

In Hyeok Park

will campitelli

Adam Demarti

Aliya Bektas

Vivian Nguyen

Ilse Brookes

Genevieve Cann

Talya Bahari

Adam Do

Angelia Roiniotis

Amara Bett

Richard Tao

max howard

Adam Smith

Madeleine Tseitlin

Isaac Bridges

Matt Kuch

Jason Vu

Brittany Ronec

Luke Borrow

Freya Tran

Lachie Joe

Oshain Premaratne

Julian Tan

Nicholas Aleksander Owczarek

Cindy Nguyen

Yue Wang

Olivia Clark

Christopher Groves

Sally Hang

Zayn Tran

Molly Timms

Vanessa Goh

Aaron D'Arcy

Kaishi Li

Jocelynda Leonardo

Zoe Archer

Stephanie Luong

Khye Huey Teoh

Annabelle Freeman

Eliza Tan

Britney Monacella

Xinjie Wang

Rohan Gerrard

Joel Emmett

Ching-Yuan Ku

Tanya Borg

Joey Truong

Vivien Dao

Natnicha 'Denim' Amornmongkol

Georgina McAllister

Jennifer Godwin

Madison Spencer

Neve Horvat

Tori Lewis

Reynard Brooks

Deepak Prakash

Amita Tulpule

Carina Love

Molly McGarrity

Stephanie West

Phoebe Markoulis

Chuanluan XU

Anh Pham

Crystal Oliver

Hope Matthews

Sanduni Jayasekera

Linda Liu

Sam Heritage

Mahdi Bolbol

Emma Carson

Anita Doan

Sarah Giust

Tianna Faraci

Olivia Holloway

Claudia Aliotta

Joanna Ikin

Bronte Olander

Faith Yong

Ruyi Bell

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

Links

  • Student Login

Get in Touch

  • Follow us on Instagram

Become a Sponsor

  • Visit our Eventbrite page

Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.