Quynh Anh Do

Communication Design

I’m Quynh Anh Do, a communication design student with a passion for visual storytelling and creating impactful brand identities. My work blends technical skill with a unique artistic perspective, allowing me to craft visuals that communicate messages with clarity and beauty. I’m dedicated to innovation and cultural understanding, striving to create meaningful connections between brands and their audiences. Each project I take on is an opportunity to bring ideas to life in ways that are both engaging and memorable.

Cà-Rem Gelato Design Project

The Cà-Rem Gelato rebranding project redefines the brand’s identity to highlight its unique fusion of flavours, craftsmanship, and cultural heritage. This initiative spans an engaging website, vibrant packaging, and various brand deliverables, creating a cohesive experience that connects with customers on a deeper level.

The redesigned website serves as a digital hub, showcasing Cà-Rem Gelato’s story, flavours, and heritage. New packaging features bold visuals that blend modern appeal with cultural elements, capturing attention and reinforcing the brand’s roots. Additional deliverables—such as in-store signage, promotional materials, and social media assets—provide a unified and memorable brand experience.

This rebranding aims to elevate Cà-Rem Gelato’s market presence, attract new audiences, and build lasting loyalty by celebrating the brand’s authenticity and passion. It invites customers to savour not just the gelato, but the story and craftsmanship behind each scoop.

Spark Of Nature

Spark of Nature" is a journey into the heart of natural landscapes, capturing the serene beauty, raw power, and intricate details that define our environment. This photo book celebrates nature through an exploration of light, texture, and movement, immortalising moments that might otherwise go unnoticed—from dawn’s gentle glow to the deep, mysterious hues of twilight. Each page invites viewers to immerse themselves in the natural world, offering glimpses into scenes that evoke wonder and peace.
The goal of this project is not just to showcase beautiful imagery but to spark a deeper connection to the natural world around us. Through these images, I hope to remind viewers of the delicate balance in nature and inspire a renewed sense of mindfulness and respect for our shared environment. "Spark of Nature" is both a celebration and a call to cherish and protect the beauty of our planet.

Love Them Wild

Presenting the Love Them Wild campaign, a heartfelt initiative to raise awareness about the importance of keeping otters in their natural habitats. Otters are wild animals with intricate needs that cannot be met in a domestic environment. This campaign encourages people to admire these creatures from afar and support conservation efforts instead of attempting to domesticate them.

Our merchandise—featuring badges, stickers, totes, and caps emblazoned with the slogan #LoveThemWild—serves as a reminder that these animals deserve to be free. By wearing and sharing these items, you’re helping to spread the message that otters belong in the wild, where they can thrive as nature intended. Join us in protecting their habitats and promoting a future where otters stay wild and free.

We Are All People

This poster is a call for unity and an end to racism, encapsulated by the message, 'We Are All People.' The illustration features a diverse group of individuals, each with unique characteristics, symbolising different backgrounds and identities. By depicting a variety of skin tones, hairstyles, and facial features, the artwork celebrates inclusivity and the richness of human diversity.

The use of soft, pastel colours creates an approachable and harmonious visual, while the bold, handwritten-style font adds emphasis to the powerful message. Positioned in a public space, this poster serves as a reminder that, despite our differences, we share a common humanity. Its aim is to foster empathy, encourage reflection, and inspire viewers to stand together against racism and discrimination in all forms.

The Flower Fairy House

This print publication design for 'The Flower Fairy House' festival seeks to capture the enchanting, whimsical spirit of the event. By combining playful illustrations with a soft, inviting colour palette, the design evokes a fairytale-like quality that resonates with the festival's theme of nature and creativity. This approach appeals to both children and adults, inviting families and individuals alike to explore and engage with the lantern.

The design aspires to create a memorable visual experience that not only draws attention but also conveys the joyful, immersive essence of the festival, making it a truly special celebration of nature's beauty and the power of imagination.

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.