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Communication Design

  • Department view
  • Student folios (A-Z)

Georgina Favaloro

Alanis Viera

Matthew Phillip

Renee Sim

Jared Fowler

Bianca Gjuric

Isa Lim

Erin Frakes

Maddie Vincent Gilmartin

Athanasios Romios

Amelia Bursztynski

Jia Jun Hong

Cindy Lo

Rebecca Mok

Elaine Yi Lian Yeo

Keni Patel

Wendy Lay

Emma Facey

Ellen Hetrelezis

Christopher Chan

Georgia Back

Eloise Henderson

Ashleigh Docking

Tyneesa Grant

Despina Batsakis

Michelle Millers

Olivia Hockey

Cailum Choi

Hui Shan Ho

Ruby Bergmeier

Ashley Ng

Blue Bateman- Williamson

Max Whiting

Megan Baines

Darren Buma

Bailey Wentworth

Shakira Simmons

Nichanon Thampramual

Sarah Smedley

Vivien Nguyen

Kirsten Hart

Leilani Krienke

Daniel Mastromihalis

Pranav Tamang

Alessia Zuccala

Lisa Le Nguyen

Steffie Eddy

Tom Faska

Shannon Bowkett

Angelica Matarazzo

Magenta Hornsey

Chai Jeffery

Aaron Davis

Jason Chung

Cassie Horne

Brandy Lau

Ulya Cheng

Angela Yong

Chai Hoong Yong

Lucas Pavlis

Ashley Bell

Shicheng Huo

Daniel Farhan Khairul Zamri

Anna Afzal-Gould

Lachlan Webb

Amelia Vu

Ashleigh Squire

Sarah Stansbie

Joo En Kok

Rebecca Smith

Jesse Greer

Xin Zi Hoo

Tien Nguyen

Jack Milligan

Sasha Kamel

Shelley Virduzzo

Kylie Blumson

Venessa Kho

Kimberley Sie Hui Jun

Ella Whitehead

Ollie Rae

Rainnie Hsiao

Jazmyn Maddern-Wellington

Cameron Laing

Congwen Zhou

Toneya Hurst

Ciara Croft

Yasmin Li

Immanuel Martin

Chris Sanchez

Connie Chin

Cheryl Kau

Jemma Young

Kat Kopecka

Vanessa William

Seren Altiparmak

Jing Wen Ng

Lauren Smith

Tara Knight

William Clark

Luka Dickson

Grace Ting

Dora Bebonis

Molly Cunnane

Stephanie Mahon-Smith

Adam Yeo

Sophie Sfikas

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.