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Communication Design

  • Department view
  • Student folios (A-Z)

Ashleigh Docking

Sophie Sfikas

Kimberley Sie Hui Jun

Kylie Blumson

Emma Facey

Renee Sim

Maddie Vincent Gilmartin

Angelica Matarazzo

Venessa Kho

Congwen Zhou

Cheryl Kau

Alanis Viera

Vanessa William

Keni Patel

Shicheng Huo

Jemma Young

Georgia Back

Cailum Choi

Darren Buma

Rebecca Mok

Amelia Bursztynski

Xin Zi Hoo

Megan Baines

Ella Whitehead

Seren Altiparmak

Lauren Smith

Blue Bateman- Williamson

Angela Yong

Bailey Wentworth

Eloise Henderson

Jia Jun Hong

Bianca Gjuric

Jazmyn Maddern-Wellington

Cassie Horne

Olivia Hockey

William Clark

Sarah Stansbie

Cameron Laing

Joo En Kok

Anna Afzal-Gould

Magenta Hornsey

Alessia Zuccala

Kirsten Hart

Molly Cunnane

Shannon Bowkett

Ashley Bell

Jason Chung

Hui Shan Ho

Chris Sanchez

Amelia Vu

Sasha Kamel

Aaron Davis

Wendy Lay

Luka Dickson

Shelley Virduzzo

Grace Ting

Ashley Ng

Daniel Mastromihalis

Athanasios Romios

Kat Kopecka

Michelle Millers

Yasmin Li

Isa Lim

Lisa Le Nguyen

Leilani Krienke

Tyneesa Grant

Jared Fowler

Ollie Rae

Brandy Lau

Chai Hoong Yong

Nichanon Thampramual

Georgina Favaloro

Max Whiting

Cindy Lo

Ulya Cheng

Daniel Farhan Khairul Zamri

Ashleigh Squire

Lachlan Webb

Despina Batsakis

Jack Milligan

Ruby Bergmeier

Steffie Eddy

Toneya Hurst

Rainnie Hsiao

Chai Jeffery

Vivien Nguyen

Christopher Chan

Tara Knight

Adam Yeo

Shakira Simmons

Ellen Hetrelezis

Stephanie Mahon-Smith

Matthew Phillip

Connie Chin

Ciara Croft

Elaine Yi Lian Yeo

Jesse Greer

Lucas Pavlis

Tien Nguyen

Pranav Tamang

Dora Bebonis

Immanuel Martin

Sarah Smedley

Erin Frakes

Jing Wen Ng

Rebecca Smith

Tom Faska

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.